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Posts Tagged ‘theory’

Monthly wrap-up March

Wednesday, April 2nd, 2008

Another month passed, i didn´t blog a lot since i´ve been abroad for some time, hopefully April will be better. Anyway, here my monthly list of read-worthy articles…

Screenwriting Structure part 12 – The Inciting Incident by The Unknown Screenwriter

Another part of the Screenwriting Structure series.

The Diablo Cody Backlash by Mystery Man on Film

So much buzz about a screenwriter (just because she has been a stripper?), Myster Man writes a great post about all the people who attack Diablo without a reason (rather than envy?).

Concept is King: Why Juno worked by Christina

Another post about Juno, it pretty much sums it up why it won the Oscar.

What Spec means by Alex Epstein

Alex answers a question of a reader and states what writing a spec really means.

How to explain quantum mechanics by John August

How to address a highly difficult topic in a screenplay, what does the audience really need to know?

Case against Character Arcs by Mystery Man on Film

Some examples where the inner character arc seems not that important.

Columbo Always Showed Up Late by Jane Espenson

When is the right time to introduce your main protagonist?

What does Copyright Protect by Alex Epstein

Alex answers a readers question whether it´s possible to copyright a character (like Superman).

If Major Studio Gave Notes on Juno by Ken Levine

A hilarious post: what would a major studio respond if Diablo sent in her screenplay rather than produce it the indy way.

Yes Virginia, there is a Nudity Clause by Alex Epstein

There are problems that you could run in if your movie / series screenplay contains nudity, not so much problems with the audience, rather with the actors.

No, I said, “Pitching” by Jane Espenson

Jane´s thoughts about how to pitch a project.

When to Stop Writing by Ken Levine

Most of the time screenwriters struggle with starting to write, but when is the right time to stop?

Shot an indie pilot. What´s next? by John August

A very good post about what to do with your indie pilot.

Rethinking Motivation by John August

Some hints about character motivation. What does the character want? What does the character need?

Monthly wrap-up January

Friday, February 1st, 2008

Well, the first month of the new year is over, and here are the posts i´ve found most valuable.

Should Authors Get a Percentage of Used Book Sales? by Lee Goldberg

Lee writes about residuals when a book is sold second hand. It´s an interesting topic i haven´t thought about yet, but then again, it doesn´t really affect me.

Your first 10 pages and the hook by The Unknown Screenwriter

This is part 10 of the series “Screenwriting Structure” from Unk, he discusses the important first 10 pages of a screenplay.

$400 filmmaking course on DVD by Alex Epstein

Alex answers a question from a reader of his blog whether to spend $400 on an filmmaking DVD or rather buy something else (like a camera).

Story2Oh! by Jill Golick

Jill started a very interesting project with a different approach to storytelling than writing a screenplay. I wrote about that project in an earlier post.

Originality Doesn’t Make Great Drama by Clive

Clive doesn´t blog very often, but when he posts an article it is absolutely worth reading. In this article he writes about the desire of indie filmmakers to create something “new and original”, and that this approach might not be the best all the time.

Your first 10 pages and the Ordinary World by The Unknown Screenwriter

Part 11 of the series “Screenwriting Structure” is about the ordinary world of the protagonist and therefore the setting of the movie itself.

Internet “Screenwriting” Searches by Matt Hader

Matt answers a few questions like “What are the chances of selling my spec?”, “Screenwriter’s starting pay?”, “Page to minute ratio?”, etc.

The Nines on BitTorrent and More on the torrents by John August

John writes about his exceptional opinion about downloading movies, this is a very interesting post since he speaks as a writer / director as well as producer.

Writing For Actors – part 1 by Clive

Another great article from Clive where he writes about some screenwriting mistakes indie filmmakers are willing to make when writing the first few scripts.

A revised first draft walks into a bar by Alex Epstein

A very interesting article about the producer / writer business relationship and the writing of revisions. It´s important for writers to have some kind of business safety net, Alex provides some tips.

Top Ten Format Mistakes by The Mystery Man on Film

Based on a screenplay someone sent to the Mystery Man for reading through he points out the top ten format mistakes.

The Nines on DVD by John August

An interesting post from John about what the DVD of his movie The Nines will contain (specials, interviews, etc.) and the compromises he had to make.

So there have been quite some interesting posts this month, and another great piece of news spread through the internet: Guillermo del Toro will (most likely) direct the Hobbit movies that Peter Jackson is about to produce. The full piece of news can be found here.

Rewrite of "From idea to script – Part II" and Juno

Thursday, January 10th, 2008

For quite some time i wanted to rewrite my article From idea to script – Part II since i thought it was not really up to date anymore and i improved lots of the techniques.

So now it was right about time, and the new version contains some really interesting new ressources, so if you liked the old article you will like this new one even more.

Besides the rewrite i finally managed to include my theater play Ritzen in my project overview.

And since this is my first post in 2008 (btw, i love this “new year” post: I blogged in 2008) i thought i´d include some goodie:

FOX Searchlight Pictures published the screenplays of some up and coming movies here. And since i a read a lot about Juno and wanted to know what all the buzz is about (you know, a screenplay from an ex-stripper and such) i was really happy to download the script.

Job, hobby or both? 10 tips for the road…

Thursday, November 8th, 2007

In my opinion way too many people are unhappy in their job, the SOLE reason they work is money and day after day they don´t have the feeling that they are doing something with a meaning for them. In our civilization the main reason for not doing the job you would like to is laziness. That fact may seem a little bit harsh and of course this statement is exaggerated, but for most of the people it is true.

The only thing you ever wanted to be was a doctor but you think you didn’t have the opportunity to study? When “opportunity” means that you didn’t get any financial backup of your parents it certainly is harder to study, but it’s possible nevertheless. When it comes down to the bottom line the main reason why you are not “living your dream” is laziness, because you can earn your money easier, because starting over again means to cut back, because you are afraid of change or because you don’t believe in yourself.

Please note that by talking about “our civilization” i mean the so called first world situation, and not people who are struggling to survive and don’t know when they will have something to eat in the near future.

My situation

Why especially i am writing about this topic? Because i am living it, during the past few years i am on my way to get a foot into film and theater business. I have not yet reached my goal, but i´m on my way and i can tell you that despite all the downsides i really like it.
When i was a teenager my dream job was to be a programmer, sitting in my little office and code hours for hours. It was completly obvious to me that i would attend an IT college right after army service, and later on i decided to study Software Engineering. During my study i got interested in movies more and more, and after some time i realized that watching movies is not enough for me, i missed something. I started to read books about screenwriting and also started to work on my first screenplay (which by the way i read last week or so and was really shocked how crappy it is…).

Is it too late for that decision?

Besides the “it is never too late” phrase it has to be noted that it gets more complicated the older you are. Your job, experience and also your living circumstances change when you get older, so apparently it gets harder to take a step back (as well financially as your position), but nevertheless, if you are willing to sacrifice some of your earned luxury for a fulfilling job you should take your chance.

You may say that any other person who knew from the beginning that he/she wants to be in movie business deserves an opportunity more than me, well, i don´t know. I think everyone who works hard on it and is desperate to work in that business deserves a chance, and for sure it doesn´t mean that the job would be done better by somone else. Life is constantly changing, and some know from the beginning what their way is, others have to figure it out, but before i drift of to a philosphy discussion i better get back on topic.

My first steps

Right, so i recognized that my way has to change, it was not enough to make movies just as a hobby, i had to take steps in my life into the right direction. The first thing that was clear to me was that i would not study any further after my bachelor, i could have done a master study in about two years, but i knew that such a study wouldn´t bring me any further to my dream, so i finished the bachelor and quit.

I worked as a part time programmer to make some money and got my first few shorts into production. After three years of working that way i felt it was time for another change, just doing shorts was not enough anymore, so i decided to also quit that job and focus fully on my career as filmmaker. I´m presenting these facts as if it has not been a hard decision, but believe me, it was not and still isn´t. I have got job offers where i could have made about 3000€ – 4000€ a month, thats a good salary, i could have a nice life with that.

But could i really? I would have to work at least more than forty years and spend my time with stuff i don´t care about, and if you ask me, thats not worth it, no money on earth is worth spending your life in a hated job where the first thing in the morning is a crappy feeling that you have to get there again, day after day, year after year. Life is just too short and valuable for that…

Well, during the last years i am working on my career, i don´t say that i´ve always done right, you also learn from mistakes you make. I think i have got some experience by now and i can give some tips, but don´t take anything for granted, anyone has different premises and each situation is different, but i think there will be some points that could help.

Another little disclaimer: i am talking about my personal experiences, and i am trying to get into movie business, so probably not everything in this article will be of help in other businesses, but i am trying to bring it down to a common denominator, so my tips might be of value even if you are trying to do something completely different.

So lets get started, my small list of (at least) ten things you should consider if you want to live your dream…
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Keeping characters alive

Tuesday, March 20th, 2007

If you read some of my previous blog posts you might have gathered that i´m somewhat into well constructed and developed characters. The most obvious observation in movies with really good characters is that they´ve got some background and are not only present during the movie. They developed certain habits, maybe some strange behaviour in different situations and so on. While a good screenwriter does not slap you in the face with the background of his characters but places them in little situations during the movie so that you can guess some of the characters background. In most cases it is not even essential that the background story is revealed during the movie, often it´s just the little hints that make an interesting story.

So to add more realism to your characters a good strategy is to have a full background story for each of the main characters. Don´t reveal it with a cheap exposition or in a dialog like “Oh, you remember the incident where i nearly got killed? Where i got hit by that car and was badly injured?”. Such dialogs don´t have nothing to do with the story itself, they are just cheap attempts to show the audience that a person has got some background. If for example that car accident is essential for the story you have to get it in the movie somehow, but there are lots more sophisticated ways of doing such, like the person has got a scarf on the back or something and every time a car passes by he / she takes a step back.

Exposition of the background story
Sometimes it is really important to reveal the background story of a certain characters, one of the nicest is in The Rear Window from Hitchcock. The protagonist is sitting in a wheelchair with a broken leg. To reveal why his leg is broken Hitchcock thought of a really great way of exposition: Obviously the protagonist is a photographer (with this camera in his hand), and during the start of the movie the camera pans through the room to tell the setting of the character. You see pictures of sport events, the camera and finally a picture of a racing car during an accident that moves towards the camera, so obviously the protagonist got hurt during that crash – a reayll beatufiul exposition.

So telling the background story can be done quite discreet, of course another possibility would have been a dialog between James Steward and Grace Kelly like “So, after your accident during the car race you have done quite nice, your leg is getting better very fast…”. Hitchcock has really done the right thing, telling a story with images, that´s what movies are about. Those dump dialogs are just to tell the audience something, noone would talk like that, because the protagonists already know – there are better ways of telling something.

Keeping characters alive
Beside a well thought background story it is very important to keep your characters alive, of course the journey they take during the movie should be the main plot, but there are small gestures, habits or moments that really make your character alive. It is quite hard to describe how because it is different from character to character, but here are some examples that come to my mind when thinking about that:

Justin Quayle in The Constant Gardener

Ralph Fiennes plays a really interesting character in that movie, he is very passive and tries to avoid problems. His wife Tessa on the other hand is exactly the opposite, she´s a rebel and tries to make a difference. The character of Justin changes during the movie dramatically, but that´s not what i wanted to point out. This is another really good example of how to introduce a character and with a single scene tell so much about him: On of the first scenes in the movie is when Sandy, a associate of Justin, comes in his room to tell him that his wife Tessa has died. Justin just stands there, unable to move. The only reaction is to thank Sandy that he has told him personally – this scene really tells so much about Justin, the look on his face, the reaction, it´s great.

So just with this single moment we really know a lot about Justin, this passive person who tries to suit everybody.

T-Bag in Prison Break

Well, Prison Break is a series, so the characters have to be well constructed to keep the series working, but there is a little detail that i really like. I won´t describe the whole character of T-Bag now, but basically he is an awful person (who has got some history, but ok). The thing is that in different situations he licks his lips with his tongue and makes this strange noise whith his tongue and his teeth. This is just a little habit that has really nothing to do with the plot of the series or the background story of T-Bag, but it´s a habit that deepens the character, the way he gestures and everything. I know it is just a really small thing, but for me it is fascinating.

Bob Harris in Lost in Translation

Another really nice exposition, Bob sitting on his bed with the bathrobe and just staring into the room – a nice image of beeing lost. Or the carpet samples he receives from his wife, this fact and his reaction tells so much about his relation to his wife, a cheap dialog could have possibly told us more about his marriage, but with that scene everything you need to know is said.

Those are a few different examples of how to keep characters alive and tell their background story in a cineastic way, showing, not describing, that´s what movies are about.