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Posts Tagged ‘Directing’

On Directing: The Wrestler

Thursday, January 8th, 2009

I thought i´d start the new year with an really interesting movie: The Wrestler. Aside from my high expectations i won´t really talk about the movie itself, to be more concrete, i won´t really talk very much at all – others have done it already.

Peter from /Film had several interviewing sessions with Darren Aronofsky where he talks about the creation of The Wrestler, from beginning to end.

It´s not only interesting if you like the movie or wait for it´s cinema release, especially for aspiring directors it´s really nice to hear how Darren pulled of that movie.

But before i´ll post the links to the interviews i think the trailer would be a nice gimmick:

And here are all the five parts of the interview with Darren Aronofsky:
Part I
Part II
Part III
Part IV
Part V

And finally, because i wouldn´t know where to put it else, here are some videos of a round table The Hollywood Reporter held with six of this year’s Best Director hopefuls: Ron Howard (Frost/Nixon), Gus Van Sant (Milk), Ed Zwick (Definace), Darren Aronofsky (The Wrestler), Danny Boyle (Slumdog Millionaire) and Clint Eastwood (Gran Torino).
Too bad Christopher Nolan is missing, but two of my absolute favourite directors (Eastwood and Aronofsky) took part:
A Discussion with The Best Directors of 2008

Well, that´s it with my “Happy new year” post…

On reading…

Tuesday, November 20th, 2007

In general i´m not a big “fiction-reader”, most of the stuff i´m reading is technical literature on screenwriting, directing or moviemaking in general.

My regular “must-reads” are screenwriting magazines i really enjoy: Script Magazine and Creative Screenwriting. Another magazine i really like is the Austrian film-magazine Ray.

Besides this regular literature i´m currently reading The Film Director’s Intuition: Script Analysis and Rehearsal Techniques from the great author Judith Weston (which by the way also wrote Directing Actors, in my opinion one of the most valuable books on directing).

This book is not a “become a director in 21 days” like reading, it works on a completely different level. Judith Weston provides a great “behind the scenes” view of working as actor as well as director, she sheds light on working below the surface of a script.

In my opinion this book (and Directing Actors as well) is a must-read for directors, actors and screenplay writers, it is crucial to have a clue of the different approaches.