And here we go again, another month raced by.
I am posting these wrap-ups for almost a year now and hopefully they are of interest for some readers.
The thought behind that posts is to gather the most interesting articles in the screenwriting blogosphere out there. While some articles are about a very particular topic that focuses on current movies or answer a specific question, other articles may be of interest for a longer period of time since they deal with fundamental screenwriting or directing topics. I thought it might be a good idea to mark those articles that have a greater value with a little symbol: 
So from now on articles that have “richer content” are accompanied by this little star.
It´s not stopping yet, TDK still is a topic – and that for a reason. Adam writes about the script (a link to the script included!).
This is one really insightful answer to the question “What should i do with my life”. Study screenwriting? Do something different?
A person is driven by his / her big choices – and so are your characters.
Kevin writes about some facts he realized when he moved to Hollywood – the grass ain´t greener on the other side…
Certainly this is a topic that, when beeing overdone, really annoys. But on the other side including sounds can help.
How often have you read “show don´t tell”? And how often have you read how to accomplish that? MM analyzes “Blue”, the first movie in Kieslowskis trilogy “Three Colors” (a little note by myself: that´s a movie you have to watch more than once to get all the little greatnesses.)
You want to know what happens to your script after you let it out into the wild? Julie tells you.
How do films like Memento or Irreversible fit into the three-act-structure? They do pretty well, MM writes about how to break the structure.
Interview with Darren Aronofsky Part I Part II Part III by Slashfilm
An very interesting interview with writer / director Darren Aronofsky about The Wrestler and his future projects.
Sreenplays are not novels, but nevertheless you should take care of your spelling and grammar.
Should you describe every little detail of the locations in your script? Not really, how to deal with decor can be read in that post.
If you love to write SciFi or fantasy scripts, would it make sense to write drama on spec just to prove that you can write other genres as well?
What purpose should drama serve, tell a story, change peoples lives, both?
This article is very valuable when searching for a writer (as manager) or a manager (as writer).
Ken sums up his personal experience with writers assistans and secretaries – very funny read.